Slow Horses, 2025-PResent
After visiting London, I remembered why I wanted to paint in the first place. I began reproductions of classical paintings. The masterpieces details are now cut off from their original size, context or meaning. But they resonate strongly with my feelings about current events. More to come.
Slow Horse 2, from Van Dyck, Portrait of King Charles, National Gallery UK, oil, 24"x24"x1"
Christ's Donkey after Gentilschi, National Gallery UK, oil 24"24"x1"
Knife, After Sir William Beechey, National Gallery UK, oil, 30"x20"x1"
Paradise, After Bronzino, National Gallery, UK, oil, 30"x20"x1", changed the background limb
Armor, After Cesar de Sesto, Legion of Honor, oil, 30"x40"x2", this is my hand
Slow Horses 2, After Hahn, deYoung Museum, oil, 22"x28"x1"
Valhalla, after Bols, Legion of Honor, oil, 14"x18"x1"
Terror, after Delaroche, National Gallery UK, oil, 40"x30"x1"
Me driving, oil, 30x24x2
Slow Horse 4, After Stubbs Whistlejacket, oil, 22x28x2
Slow Horse 1, After Bierstadt, sketch for the Last Buffalo Hunt, deYoung Museum, oil, 22"x28"x1"
Homage a Bolingbroke, after Bierstadt, paper collage, 20"x20"x2", my friend, Richard, passed away while I was working on the Bierstadt, and used his style and materials.