Slow Horses
I remembered why I started painting in the first place after visiting London. I started a new series of reproductions of details of classical paintings. I am beginning to realize why I picked these details while I paint them.
from Van Dyck, Portrait of King Charles, 24"
After Bierstadt, sketch for the Last Buffalo Hunt, 22x28, framed
After Hahn, 22x28, framed
After Stubbs horse, 22x28x2
Homage a Bolingbroke, paper collage, 20x20x2
Knife, After Sir William Beechey, 30x20
Golden Apple, After Bronzino, 30x20
Christ's Donkey after Gentilschi
Armor (in progess), After Cesar de Sesto
Lady Jane Grey (in progress), after Delaroche