Slow Horses, 2025-
After visiting London, I remembered why I wanted to paint in the first place. I began a series in January, of reproductions of sections of classical paintings. Fake, fake, fake! I am only beginning to understand why these are resonating with me—definitely reflects my feelings. More to come.
Slow Horse 2, from Van Dyck, Portrait of King Charles, National Gallery UK, oil, 24"x24"x1"
Slow Horses 2, After Hahn, deYoung Museum, oil, 22"x28"x1"
Knife, After Sir William Beechey, National Gallery UK, oil, 30"x20"x1"
Paradise, After Bronzino, National Gallery, UK, oil, 30"x20"x1"
Armor (in progess), After Cesar de Sesto, Legion of Honor, oil, 30"x40"x2"
Valhalla, after Bols, Legion of Honor, oil, 14"x18"x1"
Terror (in progress), after Delaroche, National Gallery UK, oil, 40"x30"x1"
Christ's Donkey after Gentilschi, National Gallery UK, oil 24"24"x1"
Slow Horse 4, After Stubbs Whistlejacket, oil, 22x28x2
Slow Horse 1, After Bierstadt, sketch for the Last Buffalo Hunt, deYoung Museum, oil, 22"x28"x1"
Me driving, oil, 30x24x2
Homage a Bolingbroke, after Bierstadt, paper collage, 20"x20"x2"