Slow Horses
After visiting London in 2021, I remembered why I wanted to be an artist. I began copies of details of classical paintings. These cropped selections lost all connections to their context, meaning, or original size.
Later, I realized that they are driven by strong feelings about current news. More to come.
Slow Horse 2, from Van Dyck, Portrait of King Charles, National Gallery UK, oil, 24"x24"x1", framed
PARADISE, After Bronzino, National Gallery, UK, oil, 30"x20"x1", framed, changed the background limb
DANGER After Sir William Beechey, National Gallery UK, oil, 30"x20"x1", framed
PROTECTED, After Cesar de Sesto, Legion of Honor, oil, 30"x40"x2", this is my hand
Christ's Donkey, after Gentilschi, National Gallery UK, oil 24"24"x1", framed
TERROR, after Delaroche, National Gallery UK, oil, 40"x30"x1"
VALHALLA, after Ferdinand Bol, Legion of Honor, oil, 14"x18"x1", framed
LEAVING, oil, 30x24x2
ENTITLED, after Allan Ramsey, oil on canvas, 36x24
HORROR, after Cornelis van Haarlem, oil, 36x24
Slow Horses 2, After Hahn, deYoung Museum, oil, 22"x28"x1", framed
Slow Horse 4, After Stubbs "Whistlejacket", oil, 22x28x2, framed
MOM, JEANNE AND ME, after McCartney, oil, 14x18
Slow Horse 1, After Bierstadt, study for the Last Buffalo Hunt, deYoung Museum, oil, 22"x28"x1", framed
Homage a Bolingbroke, after Bierstadt | private collection | paper collage, 20"x20"x2".